{"id":9290,"date":"2016-02-29T14:11:35","date_gmt":"2016-02-29T13:11:35","guid":{"rendered":"https:\/\/2022.swisschamberconcerts.ch\/fr\/?page_id=9290"},"modified":"2026-07-23T11:03:53","modified_gmt":"2026-07-23T10:03:53","slug":"geneve","status":"publish","type":"page","link":"https:\/\/swisschamberconcerts.ch\/fr\/geneve\/","title":{"rendered":"Gen\u00e8ve"},"content":{"rendered":"

[vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_column_text css=\u00a0\u00bb.vc_custom_1534893114436{padding-top: 40px !important;}\u00a0\u00bb]<\/p>\n

SAISON\u00a0 26 \/ 27<\/strong><\/h1>\n
\n

[\/vc_column_text][vc_column_text]<\/p>\n

Cher Public,<\/strong><\/p>\n

Chaque \u00e9poque est fa\u00e7onn\u00e9e par une invention qui transforme notre mani\u00e8re de concevoir le monde. La n\u00f4tre nous confronte \u00e0 une r\u00e9volution sans pr\u00e9c\u00e9dent\u00a0: jamais auparavant les \u00ab\u00a0machines\u00a0\u00bb n’avaient \u00e9t\u00e9 capables d’\u00e9crire, de parler, de composer, de cr\u00e9er des images ou de simuler avec une telle vraisemblance les manifestations de l’intelligence humaine.<\/p>\n

Cette r\u00e9volution est porteuse de grandes promesses et de grands dangers, au point qu\u2019elle nous oblige imp\u00e9rativement \u00e0 nous interroger sur ce qui fait la singularit\u00e9 de l’exp\u00e9rience humaine. Car le v\u00e9ritable probl\u00e8me n’est probablement pas que les syst\u00e8mes informatiques nous ressemblent toujours davantage, mais que nous finissions par accepter \u2013 sans nous en rendre compte \u2013 un monde o\u00f9 la pr\u00e9sence pourrait \u00eatre remplac\u00e9e par sa simulation, la rencontre par son illusion, l’\u00e9motion par son imitation.<\/p>\n

\u00c0 rebours de cette \u00e9volution, le concert vivant appara\u00eet sous une nouvelle lumi\u00e8re aujourd’hui. Dans une salle, rien n’est reproductible\u00a0: des femmes et des hommes se r\u00e9unissent pour partager un m\u00eame espace, un m\u00eame instant, un m\u00eame silence. D\u2019un c\u00f4t\u00e9, les interpr\u00e8tes prennent le risque de l’inattendu, de l\u2019autre, le public devient le t\u00e9moin d’un moment qui n’existera plus jamais sous cette forme. C’est pr\u00e9cis\u00e9ment cette fragilit\u00e9 qui fait la v\u00e9rit\u00e9 de l’art vivant.<\/p>\n

La musique de chambre en est une des expressions les plus accomplies. Elle repose sur l’\u00e9coute, la confiance, le dialogue et l’acceptation de notre vuln\u00e9rabilit\u00e9. Elle nous rappelle qu’une \u0153uvre n’existe pleinement que lorsqu’elle circule d’une personne \u00e0 une autre. C’est cette conviction qui inspire la saison 2026\u20132027 des Swiss Chamber Concerts.<\/p>\n

Des chefs-d’\u0153uvre de Bach, Mozart, Schubert, Schumann ou Beethoven aux cr\u00e9ations de notre temps, chaque programme affirme que la musique n’est pas un patrimoine fig\u00e9, mais une conversation ininterrompue entre les g\u00e9n\u00e9rations. Les \u0153uvres traversent les si\u00e8cles parce qu’elles continuent de parler \u00e0 notre intelligence, \u00e0 notre sensibilit\u00e9, \u00e0 notre libert\u00e9 et \u00e0 notre c\u0153ur.<\/p>\n

\u00c0 l’heure o\u00f9 l’intelligence artificielle redessine notre rapport au monde, le concert vivant constitue plus que jamais l’un des derniers bastions o\u00f9 l’on fait l’exp\u00e9rience irrempla\u00e7able d’une pr\u00e9sence r\u00e9elle. Pr\u00e9server cet espace n’est pas seulement une mission artistique\u00a0: c’est un acte profond\u00e9ment humaniste.<\/p>\n

Nous sommes heureux de vous y accueillir.<\/p>\n

Daniel Haefliger<\/strong><\/p>\n

Directeur artistique<\/em><\/p>\n

SWISS CHAMBER CONCERTS Gen\u00e8ve<\/em><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb2\/3″][vc_column_text css=\u00a0\u00bb.vc_custom_1456758093457{padding-top: 40px !important;}\u00a0\u00bb]<\/p>\n

Prochains concerts<\/h1>\n
\n

[\/vc_column_text] \t

\n \t
\n
\n
\n
\n
\n \t
\n \t
\n \t
\n
\n \t
\n \n \"FOCUSSCHUMANN\"\n
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n <\/a>\n <\/div>\n <\/div>\n
\n

FOCUSSCHUMANN<\/span><\/a><\/h4>\n
GY\u00d6RGY KURT\u00c1G *1926<\/sup>
\r\nFRANZ SCHUBERT 1797-1828<\/sup>
\r\nROBERT SCHUMANN 1810-1856<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \t
\n \t
\n \t
\n
\n \t
\n \n \"FOCUSMOZART\"\n
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n <\/a>\n <\/div>\n <\/div>\n
\n

FOCUSMOZART<\/span><\/a><\/h4>\n
FRANZ SCHUBERT 1797-1828<\/sup>
\r\nTHOMAS ZEHETMAIR *1961<\/sup>
\r\nGY\u00d6RGY KURT\u00c1G *1926<\/sup>
\r\nWOLFGANG AMADEUS MOZART 1756-1791<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \t
\n \t
\n \t
\n
\n \t
\n \n \"FOCUSWINDS\"\n
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n <\/a>\n <\/div>\n <\/div>\n
\n

FOCUSWINDS<\/span><\/a><\/h4>\n
DMITRI CHOSTAKOVITCH 1906-1975<\/sup>
\r\nGY\u00d6RGY KURT\u00c1G *1926<\/sup>
\r\nANDRE JOLIVET 1905-1974<\/sup>
\r\nSTEFAN WIRTH *1975<\/sup>
\r\nCLAUDE DEBUSSY 1862-1918<\/sup>
\r\nWOLFGANG AMADEUS MOZART 1756-1791<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \t
\n \t
\n \t
\n
\n \t
\n \n \"FOCUSHOLLIGER\"\n
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n <\/a>\n <\/div>\n <\/div>\n
\n

FOCUSHOLLIGER<\/span><\/a><\/h4>\n
ELLIOTT CARTER 1908-2012<\/sup>
\r\nBENJAMIN BRITTEN 1913-1976<\/sup>
\r\nHEINZ HOLLIGER *1939<\/sup>
\r\nKATHARINA WEBER *1958<\/sup>
\r\nGY\u00d6RGY KURT\u00c1G *1926<\/sup>
\r\nALBAN BERG 1885-1935<\/sup>
\r\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \t
\n \t
\n \t
\n
\n \t
\n \n \"FOCUSBACH\"\n
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n <\/a>\n <\/div>\n <\/div>\n
\n

FOCUSBACH<\/span><\/a><\/h4>\n
JOHANN SEBASTIAN BACH 1685-1750<\/sup>
\r\nGUSTAV FRIEDRICHSON *1976<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \t
\n \t
\n \t
\n
\n \t
\n \n \"SWISSCHAMBERACADEMY\"\n
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n <\/a>\n <\/div>\n <\/div>\n
\n

SWISS<\/span>CHAMBERACADEMY<\/span><\/a><\/h4>\n
Chefs-d'oeuvre du r\u00e9pertoire<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \t
\n \t
\n \t
\n
\n \t
\n \n \"FOCUSBEETHOVEN\"\n
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n <\/a>\n <\/div>\n <\/div>\n
\n

FOCUSBEETHOVEN<\/span><\/a><\/h4>\n
LUDWIG VAN BEETHOVEN 1770-1827<\/sup>
\r\nGY\u00d6RGY KURT\u00c1G *1926<\/sup>
\r\nCLAIRE-M\u00c9LANIE SINNHUBER *1973<\/sup>
\r\nFRANZ SCHUBERT 1797-1828<\/sup>
\r\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \t<\/i><\/a>\n \t <\/i><\/a>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n\t[vc_column_text css=\u00a0\u00bb.vc_custom_1458151023260{padding-top: 40px !important;}\u00a0\u00bb]<\/p>\n

Pr\u00e9c\u00e9dents\u00a0Concerts<\/h1>\n
\n

[\/vc_column_text] \t

\n \t
\n
\n
\n
\n
\n \t
\n \t
\n \t
\n
\n \t
\n \n \"SWISSCHAMBERACADEMY\"\n
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n <\/a>\n <\/div>\n <\/div>\n
\n

SWISS<\/span>CHAMBERACADEMY<\/span><\/a><\/h4>\n
Chefs-d\u2019\u0153uvre du r\u00e9pertoire<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \t
\n \t
\n \t
\n
\n \t
\n \n \"OPUSHOLLIGER\"\n
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n <\/a>\n <\/div>\n <\/div>\n
\n

OPUSHOLLIGER<\/span><\/a><\/h4>\n
JEAN-PHILIPPE RAMEAU 1683-1764<\/sup>
\r\nCLAUDE DEBUSSY 1862-1918<\/sup>
\r\nCHARLES KOECHLIN 1867-1950<\/sup>
\r\nPHILIPPE RACINE *1958<\/sup>
\r\nFRIEDRICH CERHA 1926-2023<\/sup>
\r\nHEINZ HOLLIGER *1939<\/sup>
\r\nGY\u00d6RGY KURT\u00c1G *1926<\/sup>
\r\nJOHANN CHRISTIAN BACH 1735-1782<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \t
\n \t
\n \t
\n
\n \t
\n \n \"OPUSTCHA\u00cfKOVSKI\"\n
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n <\/a>\n <\/div>\n <\/div>\n
\n

OPUSTCHA\u00cfKOVSKI<\/span><\/a><\/h4>\n
FRANZ SCHUBERT 1797-1828<\/sup>
\r\nCHRISTIAN ELLIOTT 1984-2025<\/sup>
\r\nKAROL SZYMANOWSKI 1882-1937<\/sup>
\r\nPIOTR ILITCH TCHA\u00cfKOVSKI 1840-1893<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \t
\n \t
\n \t
\n
\n \t
\n \n \"OPUSSCHUMANN\"\n
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n <\/a>\n <\/div>\n <\/div>\n
\n

OPUSSCHUMANN<\/span><\/a><\/h4>\n
WOLFGANG AMADEUS MOZART 1756-1791<\/sup>
\r\nLUDWIG VAN BEETHOVEN 1770-1827<\/sup>
\r\nMISCHA K\u00c4SER *1959<\/sup>
\r\nROBERT SCHUMANN 1810-1856<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \t
\n \t
\n \t
\n
\n \t
\n \n \"OPUSMOUSSORGSKI\"\n
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n <\/a>\n <\/div>\n <\/div>\n
\n

OPUSMOUSSORGSKI<\/span><\/a><\/h4>\n
MAURICE RAVEL 1875-1937<\/sup>
\r\nMODESTE MOUSSORGSKI 1839-1881<\/sup>
\r\nMIKHA\u00cfL GLINKA 1804-1857<\/sup>
\r\nSTEFAN WIRTH *1975<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \t
\n \t
\n \t
\n
\n \t
\n \n \"OPUSCANTUS\"\n
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n <\/a>\n <\/div>\n <\/div>\n
\n

OPUSCANTUS<\/span><\/a><\/h4>\n
RAVEL, BIZET, KORNGOLD, REGER, SCH\u00d6NBERG, ZEMLINSKY, WEBERN, CARTER, etc.
\r\nCHERYL FRANCES-HOAD *1980<\/sup>
\r\nWILLIAM BLANK *1957<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \t
\n \t
\n \t
\n
\n \t
\n \n \"OPUSMOZART\"\n
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n <\/a>\n <\/div>\n <\/div>\n
\n

OPUSMOZART<\/span><\/a><\/h4>\n
WOLFGANG AMADEUS MOZART 1756-1791<\/sup>
\r\nFRANK MARTIN 1890-1975<\/sup>
\r\nTHOMAS ZEHETMAIR *1961<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \t
\n \t
\n \t
\n
\n \t
\n \n \"SWISSCHAMBERACADEMY\"\n
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n <\/a>\n <\/div>\n <\/div>\n
\n

SWISS<\/span>CHAMBERACADEMY<\/span><\/a><\/h4>\n
WOLFGANG AMADEUS MOZART 1756-1791<\/sup>
\r\nFRANK MARTIN 1890-1974<\/sup>
\r\nPAUL HINDEMITH 1895-1963<\/sup>
\r\nKRZYSZTOF PENDERECKI 1933-2020<\/sup>
\r\nJOHANNES BRAHMS 1833-1897<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \t
\n \t
\n \t
\n
\n \t
\n \n \"ECHOHOLLIGER\"\n
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n <\/a>\n <\/div>\n <\/div>\n
\n

ECHOHOLLIGER<\/span><\/a><\/h4>\n
WOLFGANG AMADEUS MOZART 1756-1791<\/sup>
\r\nKLAUS HUBER 1924-2017<\/sup>
\r\nHEINZ HOLLIGER *1939<\/sup>
\r\nFRANK MARTIN 1890-1974<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \t
\n \t
\n \t
\n
\n \t
\n \n \"ECHOSMETANA\"\n
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n <\/a>\n <\/div>\n <\/div>\n
\n

ECHOSMETANA<\/span><\/a><\/h4>\n
LEO\u0160 JAN\u00c1\u010cEK 1854-1928<\/sup>
\r\nANTON\u00cdN DVO\u0158\u00c1K 1841-1904<\/sup>
\r\nWILLIAM BLANK *1957<\/sup>
\r\nBED\u0158ICH SMETANA 1824-1884<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \t
\n \t
\n \t
\n
\n \t
\n \n \"ECHOWINDS\"\n
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n <\/a>\n <\/div>\n <\/div>\n
\n

ECHOWINDS<\/span><\/a><\/h4>\n
YEHOSHUA LAKNER 1924-2003<\/sup>
\r\nRUTH CRAWFORD-SEEGER 1901-1953<\/sup>
\r\nMASSIMILIANO MATESIC*1969<\/sup>
\r\nAMY MARCY BEACH 1867-1944<\/sup>
\r\nJACQUES IBERT 1890-1962<\/sup>
\r\nLUDWIG THUILLE 1861-1907<\/sup>
\r\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \t
\n \t
\n \t
\n
\n \t
\n \n \"ECHOSCHUBERT\"\n
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n <\/a>\n <\/div>\n <\/div>\n
\n

ECHOSCHUBERT<\/span><\/a><\/h4>\n
FRANK MARTIN 1890-1974<\/sup>
\r\nTHU\u0308RING BRA\u0308M *1944<\/sup>
\r\nFRANZ SCHUBERT 1797-1828<\/sup>
\r\nLUDWIG VAN BEETHOVEN 1770-1827<\/sup><\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \t
\n \t
\n \t
\n
\n \t
\n \n \"ECHOBERIO\"\n
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n <\/a>\n <\/div>\n <\/div>\n
\n

ECHOBERIO<\/span><\/a><\/h4>\n
LUCIANO BERIO 1925-2003<\/sup>
\r\nJOHN LENNON 1940-1980<\/sup> \/ PAUL McCARTNEY *1942<\/sup> \/ LUCIANO BERIO\u00a0
\r\nYANNIS XENAKIS 1922-2001<\/sup>
\r\nCATHY BERBERIAN 1925-1983<\/sup>
\r\nJOHANN SEBASTIAN BACH 1685-1750<\/sup>
\r\nGEORG FRIEDRICH H\u00c4NDEL 1685-1759<\/sup>\r\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \t
\n \t
\n \t
\n
\n \t
\n \n \"ECHOBEETHOVEN\"\n
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n <\/a>\n <\/div>\n <\/div>\n
\n

ECHOBEETHOVEN<\/span><\/a><\/h4>\n
LUDWIG VAN BEETHOVEN 1770-1827<\/sup>
\r\nTHOMAS ZEHETMAIR *1961<\/sup><\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \t<\/i><\/a>\n \t <\/i><\/a>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n\t[vc_column_text css=\u00a0\u00bb.vc_custom_1458151023260{padding-top: 40px !important;}\u00a0\u00bb]<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_column_text css=\u00a0\u00bb.vc_custom_1534893114436{padding-top: 40px !important;}\u00a0\u00bb] SAISON\u00a0 26 \/ 27 [\/vc_column_text][vc_column_text] Cher Public, Chaque \u00e9poque est fa\u00e7onn\u00e9e par une invention qui transforme notre mani\u00e8re de concevoir le monde. La n\u00f4tre nous confronte \u00e0 une r\u00e9volution sans pr\u00e9c\u00e9dent\u00a0: jamais auparavant les \u00ab\u00a0machines\u00a0\u00bb n’avaient \u00e9t\u00e9 capables d’\u00e9crire, de parler, de composer, de cr\u00e9er des images ou de simuler […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-9290","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/swisschamberconcerts.ch\/fr\/wp-json\/wp\/v2\/pages\/9290","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/swisschamberconcerts.ch\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/swisschamberconcerts.ch\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/swisschamberconcerts.ch\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/swisschamberconcerts.ch\/fr\/wp-json\/wp\/v2\/comments?post=9290"}],"version-history":[{"count":102,"href":"https:\/\/swisschamberconcerts.ch\/fr\/wp-json\/wp\/v2\/pages\/9290\/revisions"}],"predecessor-version":[{"id":20463,"href":"https:\/\/swisschamberconcerts.ch\/fr\/wp-json\/wp\/v2\/pages\/9290\/revisions\/20463"}],"wp:attachment":[{"href":"https:\/\/swisschamberconcerts.ch\/fr\/wp-json\/wp\/v2\/media?parent=9290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}