{"id":9290,"date":"2016-02-29T14:11:35","date_gmt":"2016-02-29T13:11:35","guid":{"rendered":"https:\/\/2022.swisschamberconcerts.ch\/fr\/?page_id=9290"},"modified":"2025-07-19T11:26:09","modified_gmt":"2025-07-19T10:26:09","slug":"geneve","status":"publish","type":"page","link":"https:\/\/swisschamberconcerts.ch\/fr\/geneve\/","title":{"rendered":"Gen\u00e8ve"},"content":{"rendered":"

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Saison 25\/26<\/h1>\n
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Cher Public,<\/b><\/h4>\n
Il est des saisons qui d\u00e9roulent un fil familier ; les n\u00f4tres, depuis toujours, tentent l\u2019audace pour boussole. Tout au long de ces prochains mois, chaque concert sera une travers\u00e9e \u2013 tant\u00f4t vertigineuse, tant\u00f4t lumineuse \u2013 de ces vastes territoires o\u00f9 la tradition dialogue avec les fulgurances d\u2019aujourd\u2019hui.<\/h5>\n
Nous confions ce voyage \u00e0 des guides d\u2019exception. Thomas Zehetmair, violoniste et chef d\u2019orchestre \u00e0 l\u2019instinct pr\u00e9curseur,\u00a0ouvrira grand les portes de l\u2019inou\u00ef.\u00a0Le souffle inventif de Heinz Holliger, figure tut\u00e9laire de la modernit\u00e9 europ\u00e9enne, croisera la profondeur solaire d\u2019Ilya Gringolts et la voix nuanc\u00e9e, radieuse de Sarah Wegener.\u00a0Autour d\u2019eux gravite une constellation d\u2019interpr\u00e8tes qui partagent la m\u00eame exigence\u00a0: servir la musique, sans fard ni compromis.<\/h5>\n
Six cr\u00e9ations mondiales command\u00e9es par les SCC jalonneront notre route\u00a0; elles portent la promesse d\u2019un premier souffle public, d\u2019un instant o\u00f9 ce qui n\u2019existait pas la veille devient n\u00e9cessaire. Comme l\u2019aventure de la musique d\u2019aujourd\u2019hui se nourrit de m\u00e9moire, nous tisserons un dialogue serr\u00e9 avec les pages immortelles du r\u00e9pertoire telles la Sinfonia Concertante de Mozart ou encore le Quatuor avec piano de Schumann.<\/h5>\n
Cette nouvelle saison invite \u00e0 l\u2019\u00e9coute franche, \u00e0 l\u2019\u00e9merveillement sans filtre, \u00e0 la curiosit\u00e9 ardente. Quiconque franchit le seuil de nos concerts\u00a0accepte d\u2019interroger ses\u00a0rep\u00e8res, de risquer l\u2019\u00e9motion brute, de partager le silence qui pr\u00e9c\u00e8de le premier accord et la r\u00e9manence qui suit la derni\u00e8re note. Puissions-nous, ensemble, faire vibrer ces instants avec la m\u00eame urgence que celles et ceux qui les offrent.<\/h5>\n
<\/h5>\n

Daniel Haefliger<\/strong><\/span><\/p>\n
Directeur artistique
\nSWISS CHAMBER CONCERTS Gen\u00e8ve
\n<\/em><\/h5>\n

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Prochains concerts<\/h1>\n
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\n \n \"OPUSHOLLIGER\"\n
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OPUSHOLLIGER<\/span><\/a><\/h4>\n
JEAN-PHILIPPE RAMEAU 1683-1764<\/sup>
\r\nCLAUDE DEBUSSY 1862-1918<\/sup>
\r\nCHARLES KOECHLIN 1867-1950<\/sup>
\r\nPHILIPPE RACINE *1958<\/sup>
\r\nFRIEDRICH CERHA 1926-2023<\/sup>
\r\nHEINZ HOLLIGER *1939<\/sup>
\r\nGY\u00d6RGY KURT\u00c1G *1926<\/sup>
\r\nJOHANN CHRISTIAN BACH 1735-1782<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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\n \n \"SWISSCHAMBERACADEMY\"\n
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<\/div>\n <\/a>\n <\/div>\n <\/div>\n
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SWISS<\/span>CHAMBERACADEMY<\/span><\/a><\/h4>\n
Chefs-d\u2019\u0153uvre du r\u00e9pertoire<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \t<\/i><\/a>\n \t <\/i><\/a>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n\t[vc_column_text css=\u00a0\u00bb.vc_custom_1458151023260{padding-top: 40px !important;}\u00a0\u00bb]<\/p>\n

Pr\u00e9c\u00e9dents\u00a0Concerts<\/h1>\n
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\n \n \"OPUSTCHA\u00cfKOVSKI\"\n
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n <\/a>\n <\/div>\n <\/div>\n
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OPUSTCHA\u00cfKOVSKI<\/span><\/a><\/h4>\n
FRANZ SCHUBERT 1797-1828<\/sup>
\r\nCHRISTIAN ELLIOTT 1984-2025<\/sup>
\r\nKAROL SZYMANOWSKI 1882-1937<\/sup>
\r\nPIOTR ILITCH TCHA\u00cfKOVSKI 1840-1893<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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\n \n \"OPUSSCHUMANN\"\n
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n <\/a>\n <\/div>\n <\/div>\n
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OPUSSCHUMANN<\/span><\/a><\/h4>\n
WOLFGANG AMADEUS MOZART 1756-1791<\/sup>
\r\nLUDWIG VAN BEETHOVEN 1770-1827<\/sup>
\r\nMISCHA K\u00c4SER *1959<\/sup>
\r\nROBERT SCHUMANN 1810-1856<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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OPUSMOUSSORGSKI<\/span><\/a><\/h4>\n
MAURICE RAVEL 1875-1937<\/sup>
\r\nMODESTE MOUSSORGSKI 1839-1881<\/sup>
\r\nMIKHA\u00cfL GLINKA 1804-1857<\/sup>
\r\nSTEFAN WIRTH *1975<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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<\/div>\n <\/a>\n <\/div>\n <\/div>\n
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OPUSCANTUS<\/span><\/a><\/h4>\n
RAVEL, BIZET, KORNGOLD, REGER, SCH\u00d6NBERG, ZEMLINSKY, WEBERN, CARTER, etc.
\r\nCHERYL FRANCES-HOAD *1980<\/sup>
\r\nWILLIAM BLANK *1957<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \t
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OPUSMOZART<\/span><\/a><\/h4>\n
WOLFGANG AMADEUS MOZART 1756-1791<\/sup>
\r\nFRANK MARTIN 1890-1975<\/sup>
\r\nTHOMAS ZEHETMAIR *1961<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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SWISS<\/span>CHAMBERACADEMY<\/span><\/a><\/h4>\n
WOLFGANG AMADEUS MOZART 1756-1791<\/sup>
\r\nFRANK MARTIN 1890-1974<\/sup>
\r\nPAUL HINDEMITH 1895-1963<\/sup>
\r\nKRZYSZTOF PENDERECKI 1933-2020<\/sup>
\r\nJOHANNES BRAHMS 1833-1897<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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ECHOHOLLIGER<\/span><\/a><\/h4>\n
WOLFGANG AMADEUS MOZART 1756-1791<\/sup>
\r\nKLAUS HUBER 1924-2017<\/sup>
\r\nHEINZ HOLLIGER *1939<\/sup>
\r\nFRANK MARTIN 1890-1974<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \t
\n \t
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\n \n \"ECHOSMETANA\"\n
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<\/div>\n <\/a>\n <\/div>\n <\/div>\n
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ECHOSMETANA<\/span><\/a><\/h4>\n
LEO\u0160 JAN\u00c1\u010cEK 1854-1928<\/sup>
\r\nANTON\u00cdN DVO\u0158\u00c1K 1841-1904<\/sup>
\r\nWILLIAM BLANK *1957<\/sup>
\r\nBED\u0158ICH SMETANA 1824-1884<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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ECHOWINDS<\/span><\/a><\/h4>\n
YEHOSHUA LAKNER 1924-2003<\/sup>
\r\nRUTH CRAWFORD-SEEGER 1901-1953<\/sup>
\r\nMASSIMILIANO MATESIC*1969<\/sup>
\r\nAMY MARCY BEACH 1867-1944<\/sup>
\r\nJACQUES IBERT 1890-1962<\/sup>
\r\nLUDWIG THUILLE 1861-1907<\/sup>
\r\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \t
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ECHOSCHUBERT<\/span><\/a><\/h4>\n
FRANK MARTIN 1890-1974<\/sup>
\r\nTHU\u0308RING BRA\u0308M *1944<\/sup>
\r\nFRANZ SCHUBERT 1797-1828<\/sup>
\r\nLUDWIG VAN BEETHOVEN 1770-1827<\/sup><\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \t
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\n \n \"ECHOBERIO\"\n
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n <\/a>\n <\/div>\n <\/div>\n
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ECHOBERIO<\/span><\/a><\/h4>\n
LUCIANO BERIO 1925-2003<\/sup>
\r\nJOHN LENNON 1940-1980<\/sup> \/ PAUL McCARTNEY *1942<\/sup> \/ LUCIANO BERIO\u00a0
\r\nYANNIS XENAKIS 1922-2001<\/sup>
\r\nCATHY BERBERIAN 1925-1983<\/sup>
\r\nJOHANN SEBASTIAN BACH 1685-1750<\/sup>
\r\nGEORG FRIEDRICH H\u00c4NDEL 1685-1759<\/sup>\r\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \t
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\n
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\n \n \"ECHOBEETHOVEN\"\n
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n <\/a>\n <\/div>\n <\/div>\n
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ECHOBEETHOVEN<\/span><\/a><\/h4>\n
LUDWIG VAN BEETHOVEN 1770-1827<\/sup>
\r\nTHOMAS ZEHETMAIR *1961<\/sup><\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \t<\/i><\/a>\n \t <\/i><\/a>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n\t[vc_column_text css=\u00a0\u00bb.vc_custom_1458151023260{padding-top: 40px !important;}\u00a0\u00bb]<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_column_text css=\u00a0\u00bb.vc_custom_1534893114436{padding-top: 40px !important;}\u00a0\u00bb] Saison 25\/26 [\/vc_column_text][vc_column_text] Cher Public, Il est des saisons qui d\u00e9roulent un fil familier ; les n\u00f4tres, depuis toujours, tentent l\u2019audace pour boussole. Tout au long de ces prochains mois, chaque concert sera une travers\u00e9e \u2013 tant\u00f4t vertigineuse, tant\u00f4t lumineuse \u2013 de ces vastes territoires o\u00f9 la tradition dialogue avec […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-9290","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/swisschamberconcerts.ch\/fr\/wp-json\/wp\/v2\/pages\/9290","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/swisschamberconcerts.ch\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/swisschamberconcerts.ch\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/swisschamberconcerts.ch\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/swisschamberconcerts.ch\/fr\/wp-json\/wp\/v2\/comments?post=9290"}],"version-history":[{"count":99,"href":"https:\/\/swisschamberconcerts.ch\/fr\/wp-json\/wp\/v2\/pages\/9290\/revisions"}],"predecessor-version":[{"id":19404,"href":"https:\/\/swisschamberconcerts.ch\/fr\/wp-json\/wp\/v2\/pages\/9290\/revisions\/19404"}],"wp:attachment":[{"href":"https:\/\/swisschamberconcerts.ch\/fr\/wp-json\/wp\/v2\/media?parent=9290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}