{"id":9332,"date":"2016-02-29T16:21:51","date_gmt":"2016-02-29T15:21:51","guid":{"rendered":"https:\/\/2022.swisschamberconcerts.ch\/fr\/zuerich\/"},"modified":"2025-08-21T12:40:16","modified_gmt":"2025-08-21T11:40:16","slug":"zuerich","status":"publish","type":"page","link":"https:\/\/swisschamberconcerts.ch\/fr\/zuerich\/","title":{"rendered":"Zurich"},"content":{"rendered":"

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Saison 25\/26<\/h1>\n
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OPUS<\/strong>MUSICA
\n<\/strong><\/h3>\n

Chers\u00a0amis des SWISS CHAMBER CONCERTS,<\/strong><\/h4>\n

Elles sont\u00a0compos\u00e9es, not\u00e9es, copi\u00e9es, imprim\u00e9es, jou\u00e9es, enregistr\u00e9es, cit\u00e9es, parodi\u00e9es, combin\u00e9es, prot\u00e9g\u00e9es, exploit\u00e9es… Le traitement des \u0153uvres\u00a0musicales\u00a0dans\u00a0toute\u00a0sa\u00a0diversit\u00e9\u00a0est\u00a0rest\u00e9\u00a0une\u00a0pratique\u00a0intacte\u00a0jusqu’\u00e0 nos jours, souvent \u00e0 tel\u00a0point\u00a0qu’on en oublie\u00a0presque le concept et la notion. Selon le contexte\u00a0culturel et le discours\u00a0qui\u00a0s’y\u00a0rapporte, des interpr\u00e9tations tr\u00e8s divergentes peuvent\u00a0toutefois\u00a0appara\u00eetre :\u00a0qu’est-ce\u00a0donc\u00a0qu’une\u00a0\u0153uvre, un \u00ab opus \u00bb \u2013 d’un\u00a0point de vue \u00e9tymologique, ontologique, esth\u00e9tique, pragmatique, juridique ?\u00a0Depuis\u00a0quand\u00a0peut-on parler de mani\u00e8re\u00a0pertinente\u00a0d’\u0153uvres et de leurs\u00a0cons\u00e9quences\u00a0dans\u00a0l’histoire de la musique ? La p\u00e9riode\u00a0pendant\u00a0laquelle\u00a0elles\u00a0peuvent\u00a0pr\u00e9tendre \u00e0 une\u00a0validit\u00e9\u00a0est-elle historiquement\u00a0limit\u00e9e, ou\u00a0ont-elles\u00a0toujours\u00a0exist\u00e9, du moins en th\u00e9orie ? Et pourquoi existent-elles\u00a0encore, apr\u00e8s la \u00ab mort de l’auteur \u00bb (Roland Barthes) et malgr\u00e9\u00a0toutes\u00a0les\u00a0contestations\u00a0\u00e9manant des milieux des \u00e9tudes\u00a0sur la performance et de l’avant-garde musicale\u00a0depuis\u00a0les\u00a0ann\u00e9es 1960 et 1970 ?<\/h4>\n

\u00ab Opus \u00bb explore\u00a0ces\u00a0questions et bien\u00a0d’autres\u00a0encore \u00e0 travers cinq\u00a0projets\u00a0aux\u00a0concepts, combinaisons\u00a0d’\u0153uvres, approches\u00a0interpr\u00e9tatives et animations\u00a0cibl\u00e9es tr\u00e8s vari\u00e9s. Il permet\u00a0d’approfondir la d\u00e9finition large du terme \u00ab opus \u00bb et de la notion\u00a0d’\u0153uvre en g\u00e9n\u00e9ral, tout en profitant\u00a0pleinement des r\u00e9sultats sonores avec nos quelque\u00a0quarante\u00a0musiciens et musiciennes. Nos programmes\u00a0sont des \u0153uvres\u00a0d’art totales divertissantes et con\u00e7ues\u00a0avec\u00a0une\u00a0pr\u00e9cision\u00a0dramaturgique, chacune\u00a0\u00e9tant\u00a0un\u00a0petit \u00ab Opus SCC \u00bb \u00e0 part\u00a0enti\u00e8re, qui\u00a0promettent\u00a0depuis\u00a0maintenant 26 ans des exp\u00e9riences de concert\u00a0extraordinaires\u00a0avec\u00a0un m\u00e9lange rafra\u00eechissant de musique\u00a0ancienne et nouvelle. Les\u00a0premi\u00e8res\u00a0collaborations\u00a0avec le Lyceo\u00a0Artistico Z\u00fcrich et le Conservatoire de Winterthur, la pr\u00e9sentation de la star\u00a0italienne de la guitare Giampaolo Bandini, les\u00a0jeunes\u00a0solistes et ensembles de Rising Stars ainsi\u00a0que\u00a0les\u00a0concerts\u00a0classiques\u00a0populaires et \u00e9prouv\u00e9s\u00a0avec nos fantastiques\u00a0solistes \u00e0 vent, le c\u00e9l\u00e8bre quatuor \u00e0 cordes de Winterthur et la traditionnelle carte blanche\u00a0d\u00e9di\u00e9e \u00e0 Heinz Holliger garantissent\u00a0une\u00a0saison de musique de chambre\u00a0riche en moments\u00a0forts.<\/h4>\n

Je me\u00a0r\u00e9jouis\u00a0d’ores et d\u00e9j\u00e0 de votre\u00a0visite et des nombreuses\u00a0nouvelles\u00a0rencontres\u00a0dans la salle de concert.<\/h4>\n

Cordialement<\/h4>\n

J\u00fcrg D\u00e4hler<\/strong><\/h4>\n
Directeur artistique SWISS CHAMBER CONCERTS Zurich<\/em><\/h5>\n
<\/h5>\n

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Prochains concerts<\/h1>\n
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Pr\u00e9c\u00e9dents\u00a0Concerts<\/h1>\n
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\n \t
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\n \n \"OPUSHOLLIGER\"\n
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OPUSHOLLIGER<\/span><\/a><\/h4>\n
JEAN-PHILIPPE RAMEAU 1683-1764<\/sup>
\r\nCLAUDE DEBUSSY 1862-1918<\/sup>
\r\nCHARLES KOECHLIN 1867-1950<\/sup>
\r\nPHILIPPE RACINE *1958<\/sup>
\r\nHEINZ HOLLIGER *1939<\/sup>
\r\nGY\u00d6RGY KURT\u00c1G *1926<\/sup>
\r\nJOHANN CHRISTIAN BACH 1735-1782<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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OPUSBEETHOVEN<\/span><\/a><\/h4>\n
DMITRI CHOSTAKOVITCH1906-1975<\/sup>
\r\nALFRED FELDER *1950<\/sup>
\r\nLUDWIG VAN BEETHOVEN 1770-1727<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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<\/div>\n <\/a>\n <\/div>\n <\/div>\n
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OPUSRISINGSTARS<\/span><\/a><\/h4>\n
\u00c9tudiants et ensembles des masterclasses de Schaffhouse 2026, des Hautes \u00e9coles de musique suisses et du Conservatoire de Winterthur<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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OPUSMOUSSORGSKI<\/span><\/a><\/h4>\n
MAURICE RAVEL 1875-1937<\/sup>
\r\nMODESTE MOUSSORGSKI 1839-1881<\/sup>
\r\nMICHAIL GLINKA 1804-1857<\/sup>
\r\nSTEFAN WIRTH *1975<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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OPUSBOCCHERINI<\/span><\/a><\/h4>\n
EUG\u00c8NE YSA\u0178E 1858-1931<\/sup>
\r\nBOHUSLAV MARTIN\u016e 1890-1959<\/sup>
\r\nMARIO CASTELNUOVO-TEDESCO 1895-1968 <\/sup>
\r\nMAURIZIO PISATI *1959<\/sup>
\r\nNICCOL\u00d2 PAGANINI 1782-1840<\/sup>
\r\nMISCHA K\u00c4SER *1959<\/sup>
\r\nLUIGI BOCCHERINI 1743-1805<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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ECHOGRIEG<\/span><\/a><\/h4>\n
LAURA VALBORG AULIN 1860-1928<\/sup>
\r\nHANS ABRAHAMSEN *1952<\/sup>
\r\nEDVARD GRIEG 1843-1907<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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ECHOHOLLIGER<\/span><\/a><\/h4>\n
WOLFGANG AMADEUS MOZART 1756-1791<\/sup>
\r\nKLAUS HUBER 1924-2017<\/sup>
\r\nHEINZ HOLLIGER *1939<\/sup>
\r\nFRANK MARTIN 1890-1974<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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ECHORISING<\/span>STARS<\/a><\/h4>\n
Programme selon annonce<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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ECHOLANGBEIN<\/span><\/a><\/h4>\n
JOHANN SEBASTIAN BACH<\/b> 1685-1750<\/sup>
\r\nBRENTON LANGBEIN<\/b> 1928-1993<\/sup>
\r\nHANS WERNER HENZE<\/b> 1926-2012<\/sup>
\r\nALFRED FELDER<\/b> *1950<\/sup>
\r\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n <\/a>\n <\/div>\n <\/div>\n
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ECHOSAARIAHO<\/span><\/a><\/h4>\n
FRANZ SCHUBERT<\/b> 1797-1828<\/sup>
\r\nKAIJA SAARIAHO<\/b> 1952-2023<\/sup>
\r\nGABRIEL FAUR\u00c9<\/b> 1845-1924<\/sup>
\r\nARVO P\u00c4RT<\/b> *1935<\/sup>
\r\nLOUIS ANDRIESSEN<\/b> 1939-2021<\/sup>
\r\nFRANZ SCHUBERT<\/b> 1797-1828<\/sup>
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \t<\/i><\/a>\n \t <\/i><\/a>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n\t[vc_column_text css=\u00a0\u00bb.vc_custom_1458151023260{padding-top: 40px !important;}\u00a0\u00bb]<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_column width=\u00a0\u00bb1\/3″][\/vc_column]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=\u00a0\u00bb1\/3″][vc_column_text css=\u00a0\u00bb.vc_custom_1534895616237{padding-top: 40px !important;}\u00a0\u00bb] Saison 25\/26 [\/vc_column_text][vc_column_text] OPUSMUSICA Chers\u00a0amis des SWISS CHAMBER CONCERTS, Elles sont\u00a0compos\u00e9es, not\u00e9es, copi\u00e9es, imprim\u00e9es, jou\u00e9es, enregistr\u00e9es, cit\u00e9es, parodi\u00e9es, combin\u00e9es, prot\u00e9g\u00e9es, exploit\u00e9es… Le traitement des \u0153uvres\u00a0musicales\u00a0dans\u00a0toute\u00a0sa\u00a0diversit\u00e9\u00a0est\u00a0rest\u00e9\u00a0une\u00a0pratique\u00a0intacte\u00a0jusqu’\u00e0 nos jours, souvent \u00e0 tel\u00a0point\u00a0qu’on en oublie\u00a0presque le concept et la notion. Selon le contexte\u00a0culturel et le discours\u00a0qui\u00a0s’y\u00a0rapporte, des interpr\u00e9tations tr\u00e8s divergentes peuvent\u00a0toutefois\u00a0appara\u00eetre :\u00a0qu’est-ce\u00a0donc\u00a0qu’une\u00a0\u0153uvre, un […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-9332","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/swisschamberconcerts.ch\/fr\/wp-json\/wp\/v2\/pages\/9332","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/swisschamberconcerts.ch\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/swisschamberconcerts.ch\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/swisschamberconcerts.ch\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/swisschamberconcerts.ch\/fr\/wp-json\/wp\/v2\/comments?post=9332"}],"version-history":[{"count":50,"href":"https:\/\/swisschamberconcerts.ch\/fr\/wp-json\/wp\/v2\/pages\/9332\/revisions"}],"predecessor-version":[{"id":19761,"href":"https:\/\/swisschamberconcerts.ch\/fr\/wp-json\/wp\/v2\/pages\/9332\/revisions\/19761"}],"wp:attachment":[{"href":"https:\/\/swisschamberconcerts.ch\/fr\/wp-json\/wp\/v2\/media?parent=9332"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}