{"id":8493,"date":"2016-02-01T15:46:06","date_gmt":"2016-02-01T14:46:06","guid":{"rendered":"https:\/\/2022.swisschamberconcerts.ch\/swiss-chamber-academy\/?lang=it"},"modified":"2022-11-16T14:34:26","modified_gmt":"2022-11-16T13:34:26","slug":"laboratoire-de-musique-de-chambre-contemporaine","status":"publish","type":"page","link":"https:\/\/swisschamberconcerts.ch\/it\/laboratoire-de-musique-de-chambre-contemporaine\/","title":{"rendered":"Commissioni e prime esecuzioni"},"content":{"rendered":"

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COMMISSIONI 1999\/2022<\/b><\/span><\/h1>\n
\n

CM<\/sup><\/b><\/span> prima mondiale<\/span><\/p>\n

CE<\/sup><\/b><\/span> prima europea<\/span><\/p>\n

CH<\/sup><\/b><\/span> prima svizzera<\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

\n

2022\/2023<\/span><\/h1>\n

Heinz Holliger <\/i><\/b>Duo III for violin and violoncello <\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

Xavier Dayer <\/i><\/b>Etude de vitesses ou de lenteurs en hommage \u00e0 Eric Gaudibert for violin, viola and violoncello CM<\/sup><\/span><\/i><\/i><\/span><\/p>\n

Xavier Dayer <\/i><\/b>Quatuor for flute, viola, violoncello and harp <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Albert Moeschinger <\/i><\/b>Trois petites pi\u00e8ces et interm\u00e8de for flute and oboe <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Wolfgang Amadeus Mozart <\/i><\/b>Sinfonia concertante in A major, Fragment (1779) K. Anhang 104 (320e) completed by Thomas Zehetmair <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Wolfgang Amadeus Mozart <\/i><\/b>String trio, Fragment (1789) K. Anh. 66 (562e) completed by Thomas Zehetmair <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Thomas Zehetmair <\/i><\/b>Variationen \u00fcber ein mittelalterliches Thema for solo viola, f\u00fcr Ruth <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Mischa K\u00e4ser <\/i><\/b>String Quartet No. 2 (2021, revised 2022) <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Nadir Vassena <\/i><\/b>Trio for flute, oboe and bassoon <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Nadir Vassena <\/i><\/b>Acque perse N. 10 for voice and viola <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Domenico Scarlatti <\/i><\/b>Sonate arranged for violin, viola and violoncello by J\u00fcrg D\u00e4hler <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Ursina Maria Braun <\/i><\/b>Quintet for flute, harp and string trio <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

\n

2021\/2022<\/span><\/h1>\n

Wolfgang Amadeus Mozart <\/i><\/b>Fragment K. Anh. 66 (562e) pour trio \u00e0 cordes, compl\u00e9t\u00e9 pour orchestre \u00e0 cordes par Thomas Zehetmair <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Benjamin Britten <\/i><\/b>Double concerto pour violon, alto et orchestre en si b\u00e9mol mineur (1932), version pour solistes et orchestre \u00e0 cordes par Colin Matthews <\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

Heinz Holliger <\/i><\/b>“Nouvelle \u0153uvre” pour harmonica de verre <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Philippe Racine <\/i><\/b>“Automne” pour soprano, fl\u00fbte, alto et contrebasse <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Osvaldo Golijov <\/i><\/b>“Tenebrae” pour quatuor \u00e0 cordes <\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

Mischa K\u00e4ser <\/i><\/b>Quintette \u00e0 cordes pour 2 violons, alto et 2 violoncelles<\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

\n

2020\/2021<\/span><\/h1>\n

Xavier Dayer <\/i><\/b>Nouvelle \u0153uvre pour voix, fl\u00fbte et violoncelle <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Rudolf Kelterborn <\/i><\/b>Kontakte pour fl\u00fbte et violoncelle <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Gy\u00f6rgy Kurtag <\/i><\/b>Jelenetek fuvol\u00e1ra Szokolay \u00c1d\u00e1mnak pour fl\u00fbte solo op. 39 <\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

Gy\u00f6rgy Kurtag <\/i><\/b>Jelek, j\u00e1t\u00e9kok \u00e9s \u00fczenetek pour trio \u00e0 cordes <\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

Heinz Holliger <\/i><\/b>Quatre pi\u00e8ces pour hautbois et cor anglais <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Heinz Holliger <\/i><\/b>Al\u00e8h Stav\u00ec, ein Herbstblatt f\u00fcr Hanna Gaifman, version pour alto (in memoriam Eli\u0161ka und Gideon Klein) <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Jacques WildBerger <\/i><\/b>Rondeau pour hautbois solo <\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

Robert Suter <\/i><\/b>Oh-Boe pour hautbois <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Nadir Vassena <\/i><\/b>Trenodia magica pour alto solo <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Nadir Vassena <\/i><\/b>“Cenere, o terra”, m\u00e9lodies nostalgiques sur deux po\u00e8mes de Fabio Pusterla pour voix, alto et piano <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

David Philip Hefti <\/i><\/b>Mormorando pour fl\u00fbte, hautbois, clarinette et basson <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

John Corigliano <\/i><\/b>Quatuor \u00e0 cordes Nr. 1 Farewell <\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

Mischa K\u00e4ser <\/i><\/b>“Die Revolution” pour soprano, alto et piano d’apr\u00e8s un po\u00e8me de Ferdinand Freiligrath <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Christian Jost <\/i><\/b>“TagTraum und Landschaft”, deux chansons pour soprano, alto et piano d’apr\u00e8s deux po\u00e8mes de Rainer Maria Rilke <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

\n

2019\/2020<\/span><\/h1>\n

Domenico Scarlatti<\/i><\/b>\u00a0Trois Sonates transcrites pour trio \u00e0 cordes par J\u00fcrg D\u00e4hler <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Mischa K\u00e4ser <\/i><\/b>Atamason pour deux trios \u00e0 cordes dans diff\u00e9rents diapasons <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Johann Sebastian Bach <\/i><\/b>Pr\u00e9ludes et Fugues transcrits pour trio \u00e0 cordes par Daniel Haefliger <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Harrison Birtwistle <\/i><\/b>Duet for Eight Strings pour alto et violoncelle\u00a0<\/i>CH\u00a0<\/sup><\/i><\/span><\/span><\/p>\n

Stefano Gervasoni <\/i><\/b>Abri pour trio \u00e0 cordes <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Heinz Holliger <\/i><\/b>75. Variation sur les variations no Va \/ Vb de Ludwytt Beetenbach pour piano <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Heinz Holliger <\/i><\/b>Reliquien pour soprano, clarinette et piano <\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

Toshio Hosokawa <\/i><\/b>Knoten pour hautbois et cor anglais <\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

\n

2018\/2019<\/span><\/h1>\n

Xavier Dayer <\/i><\/b>\u00a0De Umbris pour\u00a0fl\u00fbte et trio \u00e0 cordes <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Stefano Gervasoni <\/i><\/b><\/span>Dunkler Lichtglanz pour fl\u00fbte en sol,\u00a0alto et violoncelle\u00a0\u00a0<\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Xavier Dayer <\/i><\/b>Car il n’est aucun lieu \u00a0pour fl\u00fbte, hautbois, violoncelle et orchestre \u00e0 cordes \u00a0<\/i>CM<\/sup><\/span><\/i><\/span><\/p>\n

Heinz Holliger <\/i><\/b>Drei kleine St\u00fccke pour hautbois solo <\/i>CM<\/sup><\/span><\/i><\/span><\/p>\n

Heinz Holliger\u00a0<\/i><\/b>M\u00e4usel-Duo\u00a0<\/i>pour violon et violoncelle\u00a0<\/i>CM<\/sup><\/span><\/i><\/span><\/p>\n

Roland Moser <\/i><\/b>Albin Zollinger \u2013 um 1937 pour soprano, fl\u00fbte alto, hautbois d’amour, alto et violoncelle \u00a0<\/i>CM<\/sup><\/span><\/i><\/span><\/p>\n

William Blank <\/i><\/b>Figures libres pour fl\u00fbte, clarinette et alto \u00a0<\/i>CM<\/sup><\/span><\/i><\/span><\/p>\n

Heinz Holliger <\/i><\/b>Epilog zu Panrei pour fl\u00fbte\/fl\u00fbte en sol, hautbois\/cor anglais, clarinette basse, percussion, violon et violoncelle\u00a0\u00a0<\/i>CM<\/sup><\/span><\/i><\/span><\/p>\n

Franz Schubert\/Richard Dubugnon \u00a0<\/i><\/b>Schwanengesang<\/i>pour t\u00e9nor, fl\u00fbtes en ut, alto en sol et basse, hautbois et cor anglais, alto, violoncelle et harpe \u00a0<\/i>CM<\/sup><\/span><\/i><\/span><\/p>\n

Richard Dubugnon <\/i><\/b>Lamentationen aus der Matratzengruft<\/i>\u00a0pour fl\u00fbte et fl\u00fbte basse, hautbois, harpe, alto et violoncelle <\/i>CM<\/sup><\/span><\/i><\/span><\/p>\n

Johann Sebastian Bach \u00a0<\/i><\/b>Concerto<\/i><\/span>\u00a0pour fl\u00fbte, hautbois et violon en r\u00e9 mineur BWV 1063 \u00a0<\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

Elliott Carter <\/i><\/b>Poems of Louis Zukofsky pour soprano et clarinette \u00a0<\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

Friedrich Eugen Thurner <\/i><\/b>\u00a0Quatuor no 1 en sol mineur pour hautbois et trio \u00e0 cordes \u00a0<\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

Esa-Pekka Salonen <\/i><\/b>Pentatonic Etude<\/i>\u00a0pour alto solo \u00a0<\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

\n

2017\/2018<\/span><\/h1>\n

Rudolf Kelterborn<\/i><\/b>\u00a0Duett pour hautbois et cor anglais \u00a0<\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

David Philip Hefti \u00a0<\/i><\/b>\u00e0 la recherche … pour clarinette, alto et piano <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Kalevi Ensio Aho \u00a0<\/i><\/b>Quintette pour piano et quatuor \u00e0 vent <\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

Charles Koechlin<\/i><\/b>\u00a0Le Portrait de Daisy Hamilton, dix pi\u00e8ces des cahiers d’esquisses pour un film imaginaire op. 140, arrang\u00e9es pour\u00a0sextuor \u00e0 cordes par Otfrid Nies \u00a0<\/i>CM\u00a0<\/sup><\/i><\/span><\/span><\/p>\n

\n

2016\/2017<\/span><\/h1>\n

Heinz Holliger <\/i><\/b> Drei Skizzen pour violon et alto <\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

Rudolf Kelterborn <\/i><\/b>Quatuor pour 8 instruments \u00e0 vent <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Katharina Rosenberger <\/i><\/b>Nouvelle \u0153uvre pour trio \u00e0 cordes <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Fanny Hensel-Mendelssohn <\/i><\/b>F\u00fcnf Lieder, transcription pour soprano et quatuor \u00e0 cordes de Otfried Nies<\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

Egon Wellesz <\/i><\/b>Sonette der Elizabeth Barrett-Browning pour soprano et quatuor \u00e0 cordes <\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

Mischa K\u00e4ser <\/i><\/b>Quatuor \u00e0 cordes <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Bettina Skrzypczak <\/i><\/b>Nouvelle \u0153uvre pour fl\u00fbte, violon et violoncelle <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

\n

2015\/2016<\/span><\/h1>\n

Franz Schubert <\/i><\/b> Die sch\u00f6ne M\u00fcllerin, pour t\u00e9nor et 10 instruments <\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

Valery Arzoumanov <\/i><\/b> Scherzo pour piano et cordes <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Gustav Mahler \/ Alfred Schnittke <\/i><\/b> Quatuor pour piano et cordes <\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

Nadir Vassena <\/i><\/b> Vertigini del silenzio pour quatuor \u00e0 cordes <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Paul Hindemith <\/i><\/b>Melancholie, pour soprano et quatuor \u00e0 cordes <\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

T\u014dru Takemitsu <\/i><\/b>Entre-temps pour hautbois et quatuor \u00e0 cordes <\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

Heinz Holliger <\/i><\/b>Increschant\u00fcm pour soprano et quatuor \u00e0 cordes <\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

Wolfgang Amadeus Mozart <\/i><\/b>Fantasie, pour fl\u00fbte, hautbois et trio \u00e0 cordes <\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

Heinz Holliger <\/i><\/b>Nouvelle \u0153uvre pour fl\u00fbte, hautbois, alto, violoncelle et armonica de verre <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Xavier Dayer <\/i><\/b>Nouvelle \u0153uvre pour fl\u00fbte, alto et violoncelle <\/i>CM<\/sup><\/i><\/span><\/span><\/p>\n

Robert HP Platz <\/i><\/b>Wunderblock pour fl\u00fbte alto en sol, clarinette basse, trio \u00e0 cordes et percussions <\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

Joseph Haydn <\/i><\/b>Notturno pour fl\u00fbte, hautbois et trio \u00e0 cordes <\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

Helmut Lachenmann <\/i><\/b>F\u00fcnf Variationen, sur un th\u00e8me de Franz Schubert <\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

Elliott Carter <\/i><\/b>Epigrams pour piano, violon et violoncelle <\/i>CH<\/sup><\/i><\/span><\/span><\/p>\n

\n

2014\/2015<\/span><\/h1>\n

Heinz Holliger <\/i><\/b>Berceuse pour M. pour cor anglais solo <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Nicolas Bolens <\/i><\/b>\u2026 und weiter pour fl\u00fbte, hautbois et trio \u00e0 cordes <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Valery Arzoumanov <\/i><\/b>Quatuor pour piano et cordes sur un th\u00e8me de Mahler <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Daniel Fueter <\/i><\/b>oultremer, petite cantate sur des textes de Blaise Cendrars <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Ursula Mamlok <\/i><\/b>Concert piece for four pour fl\u00fbte, hautbois, alto et percussion<\/i><\/span> CH<\/sup><\/i><\/span><\/p>\n

Alessandro Solbiati <\/i><\/b>Gesang ist Dasein pour voix et cor anglais <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Heinz Holliger <\/i><\/b>Trois petites sc\u00e8nes pour violon solo <\/i><\/span>CH<\/sup><\/i><\/span><\/p>\n

Esa-Pekka Salonen <\/i><\/b>Homunculus pour quatuor \u00e0 cordes<\/i><\/span>CH<\/sup><\/i><\/span><\/p>\n

Aulis Sallinen <\/i><\/b>Trio \u00e0 cordes no 3 \u201cSome aspects of Peltroniemi Fintrik\u2019s Funeral March\u201d <\/i><\/span>CH<\/sup><\/i><\/span><\/p>\n

Elliott Carter <\/i><\/b>Nine by Five pour quintette \u00e0 vent <\/i><\/span>CH<\/sup><\/i><\/span><\/p>\n

\n

2013\/2014<\/span><\/h1>\n

Heinz Holliger <\/i><\/b>R\u00e9cit pour 4 timbales<\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

David Philip Hefti <\/i><\/b>Magma, Klangfunken pour trio \u00e0 cordes <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Xavier Dayer <\/i><\/b>Quintette pour fl\u00fbte, hautbois et trio \u00e0 cordes <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Rudolf Kelterborn <\/i><\/b>F\u00fcnf St\u00fccke pour hautbois et piano<\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Friedrich Cerha <\/i><\/b>Streichtrio<\/i><\/span>CH<\/sup><\/i><\/span><\/p>\n

Nadir Vassena <\/i><\/b>Quaderno del buio pour voix et quatuor \u00e0 cordes <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Alban Berg\/Heime M\u00fcller <\/i><\/b>Sieben fr\u00fche Lieder pour soprano et quatuor \u00e0 cordes<\/i><\/span>CH<\/sup><\/i><\/span><\/p>\n

Elliott Carter <\/i><\/b>String Trio<\/i><\/span>CH<\/sup><\/i><\/span><\/p>\n

\n

<\/h1>\n

2012\/2013<\/span><\/h1>\n

Bettina Skrzypczak <\/i><\/b>Sextuor pour quintette \u00e0 vent et piano <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Alessandro Solbiati <\/i><\/b>Epos pour hautbois et trio \u00e0 cordes <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Heinz Holliger <\/i><\/b>Huit chants pour soprano et violon <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Gabriel Faur\u00e9\/Otfrid Nies <\/i><\/b>La chanson d\u2019Eve <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Hugo Wolf\/Maximilian Matesic <\/i><\/b>Quatre lieder <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Heinz Holliger <\/i><\/b>Partita (II) pour harpe solo <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Martin Schlumpf <\/i><\/b>Nouvelle \u0153uvre pour alto, violoncelle et piano<\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Hans Ulrich Lehmann <\/i><\/b>\u00ab without words \u00bb pour alto et piano<\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

\n

2011\/2012<\/span><\/h1>\n

Heinz Holliger <\/i><\/b>Gedicht von Mechthild von Magdeburg pour soprano et violon <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Heinz Holliger <\/i><\/b>Vierstimmiges Magrigal version pour soprano et trois instruments \u00e0 cordes <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Gabriel Faur\u00e9\/Otfrid Nies <\/i><\/b>Chanson de M\u00e9lisande <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

J\u00fcrg Wyttenbach <\/i><\/b>Duo pour fl\u00fbte et violoncelle <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Ernst Bloch <\/i><\/b>Quatuor op. posth.<\/i><\/span>CH<\/sup><\/i><\/span><\/p>\n

Rodolphe Schacher <\/i><\/b>Nouvelle \u0153uvre pour 2 violons, 2 altos et violoncelle <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

\n

2010\/2011<\/span><\/h1>\n

Iannis Xenakis <\/i><\/b>Ittidra pour sextuor \u00e0 cordes<\/i><\/span>CH<\/sup><\/i><\/span><\/p>\n

Heinz Holliger <\/i><\/b>Machaut-Transkriptionen pour 4 voix et 3 altos <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Elliott Carter <\/i><\/b>Figment V pour marimba solo <\/i><\/span>CE<\/sup><\/i><\/span><\/p>\n

Roland Moser <\/i><\/b>Ein kleines Gedenkblatt an Erich pour hautbois solo <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Elliott Carter <\/i><\/b>Tre duetti pour violon et violoncelle <\/i><\/span>CE<\/sup><\/i><\/span><\/p>\n

Beat Furrer <\/i><\/b>\u2026ferner Gesang\u2026 pour clarinette et trio \u00e0 cordes <\/i><\/span>CH<\/sup><\/i><\/span><\/p>\n

Xavier Dayer <\/i><\/b>M\u00e9moire, cercles pour hautbois et trio \u00e0 cordes <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Harrison Birtwitstle <\/i><\/b>Oboe quartet hautbois et trio \u00e0 cordes <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Pascal Dusapin <\/i><\/b>Microgrammes 7 pi\u00e8ces pour trio \u00e0 cordes <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

\n

2009\/2010<\/span><\/h1>\n

Eric Gaudibert<\/i><\/b> Warum pour fl\u00fbte hautbois et clarinette <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Jean Selim Abdelmoula<\/i><\/b> Promenade nocturne pour hautbois, fl\u00fbte, clarinette,violon et violoncelle <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

William Blank<\/i><\/b> Collage pour fl\u00fbte, clarinette et alto <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Heinz Holliger<\/i><\/b> Extraits des 24 Duos pour deux violons <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Rudolf Kelterborn<\/i><\/b> Quatuor pour hautbois\/cor anglais et trio \u00e0 cordes<\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Harrison Birtwistle<\/i><\/b> Of sweet desorder and the carefully careless lt;\/em>pour hautbois et trio \u00e0 cordes <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Misha K\u00e4ser<\/i><\/b> 7 bagatelles festives pour soprano, piano, fl\u00fbte, hautbois, cor, alto, violoncelle et percussion <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Gustav Friedrichson<\/i><\/b> Nach Haus pour soprano, hautbois, clarinette et violon <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Xavier Dayer <\/i><\/b>Solus cum Solo pour violoncelle solo <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Elliott Carter<\/i><\/b> Duettino pour violon et violoncelle <\/i><\/span>CE<\/sup><\/i><\/span><\/p>\n

Elliott Carter<\/i><\/b> Clarinet Quintet pour clarinette et quatuor \u00e0 cordes<\/i><\/span>CE<\/sup><\/i><\/span><\/p>\n

Bach\/Haefliger<\/i><\/b> Transcriptions des pr\u00e9ludes et fugues BWV 882 et BWV 858 pour trio \u00e0 cordes<\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Xavier Dayer <\/i><\/b>De Umbris pour fl\u00fbte et quatuor \u00e0 cordes<\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

\n

2008\/2009<\/span><\/h1>\n

William Blank<\/i><\/b> Traces pour quatuor \u00e0 cordes <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Elliott Carter<\/i><\/b> Sonatine pour hautbois et piano <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Eric Gaudibert<\/i><\/b> Miniatures pour quatuor \u00e0 cordes <\/i><\/span>CH<\/sup><\/i><\/span><\/p>\n

Alfred Zimmerlin<\/i><\/b> at the still point , there the dance is pour alto solo <\/i><\/span>CH<\/sup><\/i><\/span><\/p>\n

Nadir Vassena<\/i><\/b> Coreografie incerte pour fl\u00fbte, alto et violoncelle <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

\n

2007\/2008<\/span><\/h1>\n

Peter Waters<\/i><\/b> Songlines No5 pour violon, violoncelle et piano <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Gy\u00f6rgy Kurtag<\/i><\/b> 6 Moments musicaux op.44 <\/i><\/span>CH<\/sup><\/i><\/span><\/p>\n

Heinz Holliger<\/i><\/b> (\u00e9)cri(t) pour fl\u00fbte solo <\/i><\/span>CH<\/sup><\/i><\/span><\/p>\n

Roland Moser<\/i><\/b> Pivents pour piano ensemble \u00e0 vent <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Modest Mussorgski <\/i><\/b>Tableaux d\u2019une exposition, arrangement pour piano et quintette \u00e0 vent <\/i><\/span>CH<\/sup><\/i><\/span><\/p>\n

\n

2006\/2007<\/span><\/h1>\n

Mischa K\u00e4ser<\/i><\/b> 1<\/i><\/span>er<\/sup><\/i><\/span> Quatuor \u00e0 cordes <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Xavier Dayer<\/i><\/b> \u00ab Mais je me suis enfuis \u00bb pour fl\u00fbte, hautbois, alto et violoncelle <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Eric Gaudibert<\/i><\/b> 2<\/i><\/span>\u00e8me<\/sup><\/i><\/span> Quatuor \u00e0 cordes<\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Hanspeter Kyburz<\/i><\/b> Nouvelle \u0153uvre pour fl\u00fbte, alto et harpe<\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

\n

2005\/2006<\/span><\/h1>\n

Thomas Kessler <\/i><\/b>Oboe Control pour hautbois solo et \u00e9lectronique <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Michel Roth<\/i><\/b> Skytale pour clarinette, violoncelle et piano <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Alfred Zimmerlin<\/i><\/b> 3<\/i><\/span>\u00e8me<\/sup><\/i><\/span> Quatuor \u00e0 cordes<\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Elliott Carter<\/i><\/b> Mosaic <\/i><\/span>CE<\/sup><\/i><\/span><\/p>\n

\n

2004\/2005<\/span><\/h1>\n

Rico Gubler<\/i><\/b> IR pour clarinette, alto et piano <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Eric Gaudibert<\/i><\/b> Au-del\u00e0 pour fl\u00fbte alto et violoncelle <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Franz Furrer-M\u00fcnch<\/i><\/b> Freundliche Landschaft pour alto solo <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

\n

2003\/2004<\/span><\/h1>\n

J\u00fcrg Wyttenbach <\/i><\/b>Una chica en Nirvana pour une clarinettiste chanteuse <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Robert Suter <\/i><\/b>Musique pour baryton et ensemble de chambre<\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Eric Gaudibert<\/i><\/b> Message(s) pour violoncelle et quatuor \u00e0 cordes <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Hans Ulrich Lehmann<\/i><\/b> Nouvelle \u0153uvre pour alto solo <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Martin Jaggi <\/i><\/b>Megalith pour piano et quintette \u00e0 vent <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

\n

2002\/2003<\/span><\/h1>\n

Rudolf Kelterborn<\/i><\/b> 6<\/i><\/span>\u00e8me<\/sup><\/i><\/span> Quatuor \u00e0 cordes<\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

William Blank <\/i><\/b>Wounds pour fl\u00fbte, hautbois, violon et violoncelle <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Mischa K\u00e4ser <\/i><\/b>Nouvelle \u0153uvre pour 2 trios \u00e0 cordes <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Edu Haubensak <\/i><\/b>Octuor \u00e0 cordes <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

\n

2001\/2002<\/span><\/h1>\n

Eric Gaudibert<\/i><\/b> \u00ab remember\u2026 \u00bb pour violoncelle et \u00e9lectronique <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Fabio Tognetti <\/i><\/b>Contrasts pour violon, clarinette, violoncelle et piano <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

Fabio Vacchi <\/i><\/b>Veglia seconda pour violoncelle et piano <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

\n

2000\/2001<\/span><\/h1>\n

Daniel Schnyder<\/i><\/b> Sketches pour violon, violoncelle et piano <\/i><\/span>CH<\/sup><\/i><\/span><\/p>\n

Daniel Schnyder<\/i><\/b> Zoom in pour saxophone et quatuor \u00e0 cordes <\/i><\/span>CM<\/sup><\/i><\/span>
\n<\/i>Gy\u00f6rgy Kurtag<\/i><\/b> Message \u2013 Consolation pour Christian Sutter pour contrebasse seule <\/i><\/span>CH<\/sup><\/i><\/span>
\n<\/i>Hans Ulrich Lehmann<\/i><\/b> Ritardando pour violon, violoncelle et quatuor \u00e0 cordes <\/i><\/span>CM<\/sup><\/i><\/span>
\n<\/i>Franz Furrer-M\u00fcnsch<\/i><\/b> 11 Sc\u00e8nes pour Glasharmonika, fl\u00f9te, Hautbois, violon et violoncelle <\/i><\/span>CM<\/sup><\/i><\/span>
\n<\/i>Xavier Dayer <\/i><\/b>Shall I revisit these same differing fields pour violon, violoncelle et piano <\/i><\/span>CM<\/sup><\/i><\/span>
\n<\/i>Nadir Vassena <\/i><\/b>Rivolto verso il mare \u2013 rivolto verso terra pour alto et violoncelle <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

\n

1999\/2000<\/span><\/h1>\n

Misha K\u00e4ser<\/b> Quatuor avec piano <\/i><\/span>CM<\/sup><\/i><\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/2″][vc_column_text] COMMISSIONI 1999\/2022 CM prima mondiale CE prima europea CH prima svizzera [\/vc_column_text][vc_column_text] 2022\/2023 Heinz Holliger Duo III for violin and violoncello CH Xavier Dayer Etude de vitesses ou de lenteurs en hommage \u00e0 Eric Gaudibert for violin, viola and violoncello CM Xavier Dayer Quatuor for flute, viola, violoncello and harp CM Albert […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-8493","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/swisschamberconcerts.ch\/it\/wp-json\/wp\/v2\/pages\/8493","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/swisschamberconcerts.ch\/it\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/swisschamberconcerts.ch\/it\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/swisschamberconcerts.ch\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/swisschamberconcerts.ch\/it\/wp-json\/wp\/v2\/comments?post=8493"}],"version-history":[{"count":21,"href":"https:\/\/swisschamberconcerts.ch\/it\/wp-json\/wp\/v2\/pages\/8493\/revisions"}],"predecessor-version":[{"id":16487,"href":"https:\/\/swisschamberconcerts.ch\/it\/wp-json\/wp\/v2\/pages\/8493\/revisions\/16487"}],"wp:attachment":[{"href":"https:\/\/swisschamberconcerts.ch\/it\/wp-json\/wp\/v2\/media?parent=8493"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}