Season 26/27


Dear Friends of Music,

Every era is shaped by an invention that transforms the way we perceive the world. Ours is confronted with an unprecedented revolution: never before have “machines” been capable of writing, speaking, composing, creating images, or simulating the expressions of human intelligence with such remarkable realism.

This revolution holds immense promise, but also profound risks. It compels us to reflect on what makes human experience truly unique. For the real challenge is probably not that computer systems are becoming ever more like us, but that we may gradually come to accept—without even realizing it—a world in which genuine presence is replaced by its simulation, human encounter by its illusion, and emotion by its imitation.

Against this backdrop, the live concert takes on a renewed significance. Nothing in a concert hall can be reproduced: people gather to share the same space, the same moment, the same silence. On one side, the performers embrace the uncertainty of the unforeseen; on the other, the audience witnesses an experience that will never exist again in exactly the same form. It is precisely this fragility that gives live performance its truth.

Chamber music is among the finest expressions of this ideal. It is founded on listening, trust, dialogue, and the willingness to embrace our own vulnerability. It reminds us that a work of art comes fully to life only when it passes from one person to another. This conviction lies at the heart of the 2026–2027 season of Swiss Chamber Concerts.

From masterpieces by Bach, Mozart, Schubert, Schumann and Beethoven to the creations of our own time, every programme affirms that music is not a static legacy but an ongoing conversation between generations. Great works endure because they continue to speak to our intellect, our sensitivity, our freedom, and our hearts.

At a time when artificial intelligence is reshaping our relationship with the world, the live concert remains, more than ever, one of the last places where we can experience the irreplaceable reality of genuine human presence. Preserving this space is not merely an artistic mission; it is a profoundly humanistic act.

We are delighted to welcome you.

Daniel Haefliger

Artistic Director
SWISS CHAMBER CONCERTS Genève

Prochains concerts


Précédents Concerts


SWISSCHAMBERACADEMY

Masterpieces of the repertoire

OPUSHOLLIGER

JEAN-PHILIPPE RAMEAU 1683-1764
CLAUDE DEBUSSY 1862-1918
CHARLES KOECHLIN 1867-1950
PHILIPPE RACINE *1958
FRIEDRICH CERHA 1926-2023
HEINZ HOLLIGER *1939
GYÖRGY KURTÁG *1926
JOHANN CHRISTIAN BACH 1735-1782

OPUSTCHAIKOVSKY

FRANZ SCHUBERT 1797-1828
CHRISTIAN ELLIOTT 1984-2025
KAROL SZYMANOWSKI 1882-1937
PYOTR ILYICH TCHAIKOVSKY 1840-1893

OPUSSCHUMANN

WOLFGANG AMADEUS MOZART 1756-1791
LUDWIG VAN BEETHOVEN 1770-1827
MISCHA KÄSER *1959
ROBERT SCHUMANN 1810-1856

OPUSMUSSORGSKY

MAURICE RAVEL 1875-1937
MODEST MUSORGSKY 1839-1881
MIKHAIL GLINKA 1804-1857
STEFAN WIRTH *1975

OPUSCANTUS

RAVEL, BIZET, KORNGOLD, REGER, SCHÖNBERG, ZEMLINSKY, WEBERN, CARTER, etc.
CHERYL FRANCES-HOAD *1980
WILLIAM BLANK *1957

OPUSMOZART

WOLFGANG AMADEUS MOZART 1756-1791
FRANK MARTIN 1890-1975
THOMAS ZEHETMAIR *1961

SWISSCHAMBERACADEMY

WOLFGANG AMADEUS MOZART 1756-1791
FRANK MARTIN 1890-1974
PAUL HINDEMITH 1895-1963
KRZYSZTOF PENDERECKI 1933-2020
JOHANNES BRAHMS 1833-1897

ECHOHOLLIGER

WOLFGANG AMADEUS MOZART 1756-1791
KLAUS HUBER 1924-2017
HEINZ HOLLIGER *1939
FRANK MARTIN 1890-1974

ECHOSMETANA

LEOŠ JANÁČEK 1854-1928
ANTONÍN DVOŘÁK 1841-1904
WILLIAM BLANK *1957
BEDŘICH SMETANA 1824-1884

ECHOWINDS

YEHOSHUA LAKNER 1924-2003
RUTH CRAWFORD-SEEGER 1901-1953
MASSIMILIANO MATESIC*1969
AMY MARCY BEACH 1867-1944
JACQUES IBERT 1890-1962
LUDWIG THUILLE 1861-1907

ECHOSCHUBERT

FRANK MARTIN 1890-1974
THÜRING BRÄM *1944
FRANZ SCHUBERT 1797-1828
LUDWIG VAN BEETHOVEN 1770-1827

ECHOBERIO

LUCIANO BERIO 1925-2003
JOHN LENNON 1940-1980 / PAUL McCARTNEY *1942 / LUCIANO BERIO 
YANNIS XENAKIS 1922-2001
JOHANN SEBASTIAN BACH 1685-1750
GEORG FRIEDRICH HÄNDEL 1685-1759

ECHOBEETHOVEN

LUDWIG VAN BEETHOVEN 1770-1827
THOMAS ZEHETMAIR *1961